Our highly-popular 12-week training course in the theory and practice of film programming returns for Autumn 2017.
Funded by Creative Skillset and supported by Goldsmiths, University of London.
Participants will learn the knowledge and skills to plan, produce and promote their own events, and make their own opportunities to work in the film exhibition industry.
You will think about the meaning and purpose of programming, and take on practical projects that culminate in running your own film screening events. You’ll also take on a personal research project which will develop your expertise in one area of film culture.
During each session, a professional programmer will speak intimately about their careers in film exhibition, and share stories of their biggest successes – and most valuable failures. You’ll meet them in a relaxed setting and get to know them informally.
- Jemma Desai, BFI London Film Festival / British Council Film
- Corinna Antrobus, Bechdel Test Fest / Picturehouse Cinemas
- Paul Homer, Curzon Cinemas
- Junko Takekawa, Japan Foundation Touring Film Programme
- Kate Taylor, BFI London Film Festival
- Ian Francis, Flatpack Film Festival
- Adriana Kytkova, Deptford Cinema
- Suzy Gillett, film-maker, Film Africa / Barbican
- Muffin Hix, Fringe! Queer Arts & Film Fest
- Creative and cultural film programming for festivals, cinemas and film clubs.
- Discovering and engaging your audience/community
- Meeting a brief
- Event and film licensing
- Designing a film festival or film season
- Creating a marketing action plan & timeline
- Writing brilliant copy and using images & video to sell your event
- Making social media and word-of-mouth work for you
3. Production and management
- Event planning and management
- Collaborating with venues and other organisations
- Technical issues
- Business and financial planning
- Fundraising & sponsorship
- Monitoring and evaluation
Film screening project
The group project challenges participants to work in teams on real-life film screening projects. You will apply everything you have learned in class (including identifying and engaging audiences, licensing, financial planning, funding, developing relationships, using technical equipment and managing events) to the real world of event management. It’ll be hard work, with plenty ups and downs, but you’ll learn a lot – and leave the course with valuable transferable skills.
Personal research project
A personal research project asks participants to investigate a particular area of cinema that interests them, and then curate a programme of screenings and events. We will then encourage you to pitch your ideas to film festivals and venues. Previous projects included Japanese ‘pink’ films, contemporary Francophone African cinema, cult Bollywood trash and Clowns on Film. More about the 2016 course
We are recruiting up to 25 participants who are currently at the beginning of their careers in film exhibition.
We are particularly keen to receive applications from underrepresented groups in the film exhibition industry – notably people from Black, Asian & Minority Ethnic and working class backgrounds, and people with disabilities – and this very much informs the way we design and deliver the course.
Feedback from 2016
- “This is without doubt the best course I have ever studied. It’s been inspirational and to some extent revelatory for me.”
- “Each session covered the essentials needed from start to finish. The group task as well as personal project helped us to action the theory we learnt.”
- “One of the real strengths of this course was that the tutors created a relaxed and supportive environment from the start.”
- “It’s been one of the best things I’ve done all year! I’ve made so many friends, and it’s been great hearing about different stories and career paths.”
- “I’ve made some really great contacts – both among the other students and with some of the speakers.”
- “It really was a brilliant, insightful course. And it’s obvious that a lot of hard work and dedication went into it, for which I am really grateful.”
The course is run by New Cross + Deptford Free Film Festivals, a collective of film programmers who run an annual festival of over 30 indoor and outdoor film events attracting 1500 audience members.
Phoenix Fry is a film curator and events manager with over 15 years’ experience delivering training. His career includes BFI Sci-Fi Season (Project Manager), Design on Film at V&A Museum, Film Africa, Nollywood Now! Nigerian Film festival, Deptford Film Club, Sydenham Film Club and The Internet Cat Video Film Festival. He has delivered training for the Barbican, Flipside Film Festival, Film Africa, British Council and Goldsmiths, University of London.
Jacqui Shimidzu is a film events manager, community activist and a Fellow of the School for Social Entrepreneurs. She runs hugely popular outdoor bike-powered screenings for New Cross + Deptford Free Film Festival. She also runs the Hill Station Café (which hosts year-round events ranging from pop-up restaurants and silent discos to Edinburgh Festival previews) and set up a community cinema in New Cross Learning.
When: 1pm-4pm on Saturday afternoons from 9 September to 25 November 2017 (12 sessions)
Plus additional times when participants run their own film screening events
Where: Goldsmiths, University of London, New Cross, London SE14 6NW
We also offer a small number of discounted places for those on very low incomes.
How to apply
Complete the online application form by Wednesday 23 August 2017
We will respond to you by 30 August 2017 and take payment from successful applicants. If you have additional questions, please contact email@example.com
This programme is supported by Creative Skillset’s Film Skills Fund, which is funded by the BFI with National Lottery, through the Skills Investment Fund.